Baton
Leadership Lessons From LA Philharmonic Conductor Dudamel
By Eileen
McDargh
Imagine a crusty
group of seasoned professionals standing, applauding and cheering a
28 year-old leader who has turned a same-old-same-old product into
something fresh and exciting! This does NOT happen-particularly
when the professionals are members of the Israel Philharmonic. But
under the baton of young Maestro Gustavo Dudamel, orchestra members
did just that.
Now, Southern
California music lovers are witnessing the same magic of a man who
started as a tot playing in El Sistema, the publicly funded program
for children in Venezuela. Talk about team work. Talk about taking
an old product like Beethoven's Fifth and turning it into something
that has the young and old talking. Dudamel is entering his second
season as Music Director of the Los Angeles Philharmonic in the fall
of 2010, beginning his twelfth year as Music Director of the Simón
Bolívar Youth Orchestra and his fourth season with the Gothenburg
Symphony.
In a recent
interview, Dudamel's leadership genius jumped off the page as
something that leaders in all industries can practice. The secret:
love the music and the musicians who play it!
Dudamel makes every
player a star, asking them to play their best and then-just a little
more and still more. He is a persistent and disciplined
communicator. This means he delivers the same message, evoking over
and over again the possibility of amazing outcomes and a belief in
the individual strength of each player that only become better when
joined with others.
He uses the power
of words to express the results he seeks. It's not the language of
the bottom line and shareholder return, but rather words that turn a
symphony into human terms: blood, meat, happiness, magic. Every
player can sense an emotional component to the end result. Imagine
what would happen if leaders could translate a product or a service
into something that resonates emotionally with team members. I can
make a case for software technicians as surely as a team of surgical
nurses.
According to close
observers, Dudamel's eyes radiate joy and energy when working with
the orchestra. He admits that having fun with the "product" and the
players is what allows him to create a musical experience that
brings the "buyers" of the product and the "makers" of the product
to their feet.
Fun. Energy. Joy.
These aren't words that one normally associates with work. Results
without joy, fun (however one defines it) and energy create a
disengaged workforce and a perfunctory leadership style.
In a competitive
arena, where every orchestra can select the same product, imagine
the difference a great leader makes. It's why lines formed to buy
tickets for Dudamel's first concert in October in Los Angeles. What
would happen when lines formed to buy a company's product or service
because the leader's behavior showed the world that he loved the
"music" and the "musicians" who made it?
Let the trumpets
swell on that final note!
Read other articles and learn more about
Eileen McDargh.
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